Eight bridges connect the San Francisco Bay, so it is an apt name for a gallery platform that brings the Bay Area art world together.
Our mission is to maintain a vibrant gallery scene, despite restrictions on travel, celebrations and other larger gatherings. We want to support our artists by informing and entertaining curators, collectors and critics with potent online exhibitions of their work.
On the first Thursday of every month, we will launch 8 shows of artists relevant to the Bay Area. They may be working in this place, long considered an epicenter of change, or deeply engaged in the conversations the Bay Area holds dear, whether it’s related to technology, the environment, social justice or sexual identity, to name a few.
Claudia Altman-Siegel, Kelly Huang, Sophia Kinell, Micki Meng, Daphne Palmer, Chris Perez, Sarah Wendell Sherrill, Jessica Silverman, and Elizabeth Sullivan
Sayre Batton & Maja Thomas, Joachim & Nancy Bechtle, Matt Bernstein, Sabrina Buell, Wayee Chu & Ethan Beard, Natasha Boas, Douglas Durkin, Carla Emil, Matt & Jessica Farron, Lauren Ford, Ali Gass, Stanlee Gatti, Brook Hartzell & Tad Freese, Pamela & David Hornik, Katie & Matt Paige, Putter Pence, Becca Prowda & Daniel Lurie, Deborah Rappaport, Komal Shah & Gaurav Garg, Laura Sweeney, The Battery, Robin Wright, Sonya Yu & Zack Lara
Lobus, Phillips, The Space Program
The yielding of time signals a consciousness of how little space and agency we are granted – and the importance of leaving some for those who too often go unheard. Three weeks into nationwide protests against police brutality brought on by the murder of George Floyd, the Los Angeles Police Commission hosted a virtual community meeting via Zoom. After six hours of citizens decrying the police department’s violence and most recent misconduct towards demonstrators, Jeremy Frisch wasted none of his 30-second time limit. This exhibition takes its title from Frisch’s eloquent tirade turned viral rally cry.
In moments of revolution we might locate clarity through distance from our prior consciousness. 2020 has offered arguably the most refined example of such an opportunity in our collective lives. Works exhibited six months ago might find radically different meaning within our new social context. With that in mind our exhibition proposes juxtapositions between different artist methodologies regarding societal collapse and social upheaval. Models of representation for these types of historical fulcrums can pull from a spectrum of sources, ranging from future fantasy aesthetics to something more closely resembling documentary. The reverberation between different methodologies is where the crux of the exhibition lies.