Eight bridges connect the San Francisco Bay, so it is an apt name for a gallery platform that brings the Bay Area art world together.

Our mission is to maintain a vibrant gallery scene, despite restrictions on travel, celebrations and other larger gatherings. We want to support our artists by informing and entertaining curators, collectors and critics with potent online exhibitions of their work.

On the first Thursday of every month, we will launch 8 shows of artists relevant to the Bay Area. They may be working in this place, long considered an epicenter of change, or deeply engaged in the conversations the Bay Area holds dear, whether it’s related to technology, the environment, social justice or sexual identity, to name a few. In addition, each month will highlight the crucial work of a Bay Area non-profit arts organization as its beneficiary, with an initial donation led by Phillips.

Founding Committee

Claudia Altman-Siegel, Kelly Huang, Sophia Kinell, Micki Meng, Daphne Palmer, Chris Perez, Sarah Wendell Sherrill, Jessica Silverman, and Elizabeth Sullivan

Ambassador Committee

Sayre Batton & Maja Thomas, Joachim & Nancy Bechtle, Matt Bernstein, Sabrina Buell, Wayee Chu & Ethan Beard, Natasha Boas, Douglas Durkin, Carla Emil, Matt & Jessica Farron, Lauren Ford, Ali Gass, Stanlee Gatti, Brook Hartzell & Tad Freese, Pamela & David Hornik, Katie & Matt Paige, Putter Pence, Becca Prowda & Daniel Lurie, Deborah Rappaport, Komal Shah & Gaurav Garg, Laura Sweeney, The Battery, Robin Wright, Sonya Yu & Zack Lara


Lobus, Phillips, The Space Program

Rirkrit Tiravanija

Rirkrit Tiravanija’s diverse artistic production eludes classification, he has accurately described it as “relational”: a body work focused on real-time experience and exchange that breaks down the barriers between the object and the spectator while questioning the art object as fetish, and the sacredness of the gallery and museum display. Tiravanija’s work first came to public awareness in a 1989 New York gallery through untitled (), which consisted of weekly renewed displays of the various stages of a green curry meal: a pedestal for ingredients, a pedestal for curry cooking on a burner, and a pedestal with waste products. In 1992, he continued to push and question the possibilities and principles of the gallery space in untitled (free), in which he emptied out an art gallery and turned it into a social/meeting space where he cooked large meals for visitors; and in untitled (1999), an exact replica of his East Village apartment where people were invited to live in. Tiravanija has also described his work as: “comparable to reaching out, removing Marcel Duchamp’s urinal from its pedestal, reinstalling it back on the wall, and then, in an act of returning it to its original use, pissing in it.” Tiravanija is interested in subverting deeply-ingrained ways of interacting with art through novel forms of collaboration and exchange that diminish the preciousness of objects reconsidering their lifecycle and function while remaining accessible to a broad public.

Tiravanija is an Argentina born Thai artist who lives between New York, Berlin, and Chiang Mai and his work carries strains of this nomadic existence, blending and re-combining different cultural contexts. Rather than insisting on a particular reality or truth, his work creates open-ended contexts for people to grapple with these questions themselves. The strength of Tiravanija’s work lies precisely in its ephemerality and the slippery ways it escapes definition; he takes the material of the every-day and re-stages it, allowing the viewer a perspective at once banal and deeply profound about the quickly fleeting nature of life itself.

Tiravanija received his BA from the Ontario College of Art and Design in 1984 and his MFA from the School of the Art Institute of Chicago in 1986. From 1985-1986, he participated in the Whitney Independent Study Program. He has received numerous grants and awards, including the Absolut Art Award 2010, the Silpathorn Award by the Ministry of Culture in Thailand (2017), Hugo Boss Prize (2004), and Lucelia Artist Award by the Smithsonian American Art Museum (2003),  among others.

Tiravanija lives and works in New York, Berlin, and Chiang Mai.

untitled 2021 (do we dream under the same sky), 2021
Silver silkscreen on ping pong table
107.87 x 66.54 x 7.87 inches
$85,000 USD

untitled 2017 (fear eats the soul/new york post, tuesday, january 24, 2017), 2017

Enamel on newspaper
Newspaper: 11.93 x 22.05 inches
Frame: 15.35 x 25.39 x 1.38 inches

$20,000 USD

untitled 2018 (1.5 kilos of rice) (one), 2018

Polished stainless steel corner of 2 mm and 10.500 kg of silver rice 23.62 x 23.62 x 23.62 inches

$120,000 USD

untitled 2018 (do we dream under the same sky), 2018

Gold leaf and newspaper on linen
91.34 x 55.12 inches

$120,000 USd