Eight bridges connect the San Francisco Bay, so it is an apt name for a gallery platform that brings the Bay Area art world together.
Our mission is to maintain a vibrant gallery scene, despite restrictions on travel, celebrations and other larger gatherings. We want to support our artists by informing and entertaining curators, collectors and critics with potent online exhibitions of their work.
On the first Thursday of every month, we will launch 8 shows of artists relevant to the Bay Area. They may be working in this place, long considered an epicenter of change, or deeply engaged in the conversations the Bay Area holds dear, whether it’s related to technology, the environment, social justice or sexual identity, to name a few. In addition, each month will highlight the crucial work of a Bay Area non-profit arts organization as its beneficiary, with an initial donation led by Phillips.
Claudia Altman-Siegel, Kelly Huang, Sophia Kinell, Micki Meng, Daphne Palmer, Chris Perez, Sarah Wendell Sherrill, Jessica Silverman, and Elizabeth Sullivan
Sayre Batton & Maja Thomas, Joachim & Nancy Bechtle, Matt Bernstein, Sabrina Buell, Wayee Chu & Ethan Beard, Natasha Boas, Douglas Durkin, Carla Emil, Matt & Jessica Farron, Lauren Ford, Ali Gass, Stanlee Gatti, Brook Hartzell & Tad Freese, Pamela & David Hornik, Katie & Matt Paige, Putter Pence, Becca Prowda & Daniel Lurie, Deborah Rappaport, Komal Shah & Gaurav Garg, Laura Sweeney, The Battery, Robin Wright, Sonya Yu & Zack Lara
Lobus, Phillips, The Space Program
CULT Aimee Friberg Exhibitions is pleased to bring together the work of artists from the Bay Area and New York with this presentation of artwork by Amy Lincoln, Masako Miki, and Marcus Leslie Singleton.
Each artist in this presentation explore narrative through their work, considering both ideologies of the collective and intimate visual chronicles of personal experience and place. Miki’s new painted bronzes present a new manifestation of her Shapeshifters series, reimagining Shinto tradition’s Yokai in a contemporary mythology.
Lincoln and Singleton reveal the wide range of quotidian experience from firsthand observations. Lincoln’s radiant botanicals breathe optimism in the collective slowing of life, vivid reminders of the resilience (and fragility) of our natural world. Singleton shares intimate moments of his shelter in place from the last year, weaving highly personal moments with broader historical narratives of this contemporary moment.
For more information and further works by Singleton, Miki, and Lincoln contact the gallery at firstname.lastname@example.org.